Cathedral restoration reveals hidden nude statue of well endowed monk
March 11, 2010 by Diane Maclean · 7 Comments
Elgin Cathedral, in north-east Scotland, is impressive as a ruin and must have been spectacular in its glory days. Sometimes known as “The Lantern of the North”, the building underwent many changes in its long history.
In 1390 the Earl of Buchan, the “Wolf of Badenoch”, attacked the church, damaging it quite extensively when he descended on Elgin with a band of “wyld wykkyd Helandmen”. Further damage in the early 1400s was inflicted by the Lord of the Isle’s followers.
Repairs fell to the Bishop of Elgin, Bishop Columba, who set about rebuilding this important church. Structures were altered and extended, and teams of medieval stonemasons were brought in to re-build and decorate the building.
Now a ruin, much of the interior has been lost, yet some artefacts have been preserved by ancient monuments specialists. Historic Scotland has collected numerous stone carvings that would have been used throughout the church to hold up structures or merely for decoration. They have been kept safe for years, seldom looked at until now. Historic Scotland recently engaged Dr Mary Markus, a specialist stone historian, to look at them. And she was very surprised by one of the finds.
“It was shocking in subject matter,” she says. “It was a beautiful piece of carving, and you don’t expect to come across this sort of thing. And so cleverly hidden.”
What Dr Markus found was a stone that would once have held up part of the great arched roof. From below it would have simply looked like a shield with unusual heraldry. But once on ground level, the carving took on an altogether different aspect.
Behind the shield, and hidden from the congregation, is the figure of a monk. Dr Markus explains: “He is naked from the waist down and anatomically correct, fairly well endowed if probably exaggerated.”
The bawdy monk, or “Bollocks Man” as he is fondly referred to, posed a bit of a mystery. For starters he is a rarity. Dr Markus has looked at thousands of stones in her job over many years and has never seen anything like the statue before. There is also the question of what its purpose might have been.
The heraldry on the shield offered some hope of shedding light on the mystery, so it was taken to David Sellar, the Lord Lyon, who was surprised by the details he uncovered. “This is a very unusual coat of arms,” he says, referring to the two-tailed lion, almost unknown in Scottish heraldry. “But there is some evidence to suggest that it may have belonged to Bishop Columba.”
And with this revelation Dr Markus can only guess at the purpose of the priapic figure. “It wouldn’t have been anything serious,” she says. “Just typical schoolboy humour poking fun at the bishop in a way that only they could enjoy”.
We cannot hope to find out much about the men who carved the stones, knowing them only through their work, but Dr Markus sees similarities in a number of carvings which suggests the masons worked as a group. She also speculates that they were especially talented, carving beautiful animals and portraits which remain within Historic Scotland’s collection.
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Ancient cathedrals, abbeys and churches are full of sexual symbolism and in some cases, explicit representations. Note, in the photograph above, the heraldic “cat with two tails” forming a vesica shape then search the internet for sheela na gigs to learn more. Visit Crossraguel Abbey in Ayrshire or St Andrews castle to see carvings of mermaids – a symbol of prostitution. The surprise of the Elgin stone is not that it exists, but that it has been kept hidden for so long.
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Lord Lion does not know his Scottish royal history: James II king of Scotland, in 1449 married Mary of Gueldres, daughter of duke Arnold (Gueldres of Gelre is one of the Dutch medieval dukedoms). The arms of Gelre show a gold lion queue fourchée (or a forked tail) on azure. I had occasion to draw attention to the mistaken depiction of this same coat of arms on the walls of the Jewel Room in Edinburgh castle; they did not know about it then either. This was the early 80’s, and I hope they have fixed this. Judging by this comment by the chief-herald of Scotland I think not, or he wouild have known.
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Yes, the Duke of Gelre bore a lion queue fourchée, but both the roof boss with the rampant monk and a simpler carved shield (now on the wall of the Historic Scotland workshop at the cathedral) show the arms of a lion rampant queue fourchée accompanied by a crosier. It is clearly visible in the photo accompanying this article. Therefore the arms are those of a senior churchman rather than those of the father of the Queen. Bishop Columba (Dunbar) is certainly a possibility, but there were several bishops of Moray whose heraldry is obscure so he is not the only possibility.
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Presumably in order to achieve tumescence in statuary it’s necessary to get blood into the stone.
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So that’s what happened to Mary Marquis.
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I am in charge of visitors to Leuchars St Athernase Church. Do you think the Viking type corbels in the Apse are representations of the Norse Gods? After all in the 1170s people still believed in the power of the Norse gods.
Roma. (referred by Alison Sullivan at St Andrewa cathedral – Historic Scotland(
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I am in charge of visitors to St Athernase church in Leuchars. Alison Sullivan of Historic Scotland staff at the cathedral in St Andrews suggested that I ask you about the Viking corbels in the Apse at Leuchars. I have a theory that they represent the Norse Gods. After all in the 1170’s when the apse was built people still revered or feared the Norse Gods. What do you think?
Roma.
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